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Rent SKATER SCOPE Lens – Miami, FL | Will Ship
Available for RENT Today – SKATER SCOPE MIAMI
The SKATER Scope is the first truly compact periscope lens system. It can be used as a straight version (borescope) and as a bent version (periscope) with any desired angle.
As it is considerably shorter in its overall length than comparable systems, with clear operating controls, the SKATER Scope makes it possible to work quickly and intuitively.
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The ZEISS primes we’ve been waiting for! The Supreme primes offer Full Frame and Vista Vision coverage with consistent color rendering, image quality, and character across the entire line. 15mm through 200mm! The ZEISS eXtended Data is a unique technology which is based on the /i Technology and provides information about the lens’ distortion and shading characteristics in real time
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Signature Primes are ARRI’s large format lenses designed specifically for use with their Large Format camera system line. The Signatures feature ARRI’s LPL mount, a robust lightweight housing, pleasing bokeh, smooth focus, and a warm cinematic tone.
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Originally introduced in the 1970’s the Canon FD’s were still photography lenses well known for their warm pleasing tones and smooth nature. GL Optix has rehoused these lenses into modern cinema housings, offering uniform focus and iris gears as well as a more robust build quality meant to withstand the rigors of modern cinema production.
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Arri / Zeiss Super Speed T1.3 prime lenses were first manufactured in West Germany and became one of the most popular lens choices of the 1970s and 80s due to their compact size and high performance at fast apertures. The Super Speeds have remained popular to this day and are frequently paired with modern digital cameras. Their classic optical qualities and subtle vintage characteristics make a great match for today’s sensors and remain a favorite lens for many filmmakers.
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T1.4 18mm 25mm 35mm 50mm 85mm + 135mm T2
The B-Speeds were first introduced in the mid 70’s as some of the fastest prime lenses you could purchase. The set consisted of an 18mm, 25mm, 35mm, 50mm, and 85mm. The B-Speed name comes from the fact that they were originally shipped from the factory in an Arri Bayonet Mount (B-Mount). The lenses had a maximum aperture of T1.4. Note that the front engraving on these classic primes will show a number that is NOT a T-stop rating, but rather an f/stop – hence the “1:1.2, 1:1.3, or 1:1.4” engraving. The /f stop was the theoretical aperture of the lens, factorable, as it were – whereas the T-stop markings on the iris ring were the actual measurable light being passed through the lens, onto the film. Speed aside, one of the most defining features of the B-Speeds is their triangular iris configuration. Despite the lenses have a 9-bladed diaphragm, the shape produced is a unique, unmistakable triangle. Wide-open, the lenses produced beautiful round bokeh, but as soon as you stop down… Triangle bokeh!
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Rent Ancient Optics Lomography Petzvalux Lenses
The Lomography Petzvalux by Ancient Optics is a distinctive lens set that pays homage to the historic Petzval lens design, known for its unique optical characteristics and vintage aesthetic. This set is a modern reinterpretation of Joseph Petzval’s 19th-century invention, catering to contemporary photographers who appreciate the charm and idiosyncrasies of analog photography.
Unlock the timeless allure of photography with the Lomography Petzvalux lens set, a modern tribute to the iconic Petzval design. Elevate your creativity and capture stunning images with the distinct swirly bokeh and razor-sharp central focus that define the Petzval aesthetic. Our meticulously crafted lens set offers versatility for both digital and film cameras, seamlessly blending classic charm with contemporary convenience. From captivating portraits to mesmerizing landscapes, the Lomography Petzvalux lenses empower cinematographers to infuse their work with a touch of vintage allure.
Rent these precision optics now and experience the magic of the past, perfectly tailored for the present. Unleash your artistic vision and secure your spot at the forefront of photography with our exclusive Lomography Petzvalux lens set – where history meets innovation, and every shot tells a unique story.”
Five focal lengths making the first ever complete set..27, 38, 55, 80, 120. All lenses were designed to work with Full Frame sensors, but they also produce amazing character-rich results with S35 sensors. This new set, with its signature swirling bokeh, incorporates a unique tuning ring called “Bokeh Control” originally developed by Lomography. Dial in your own look on set with strength adjustments measured from 1 to 7. Cinematographers have never had more control of their image with repeatable, consistent, real time adjustments to bokeh spherical aberration, and sharpness.
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20.7mm 27mm 37mm 47mm 57mm 77mm 107mm
TRIBE7 BLACKWING7 T-Tuned prime lenses feature a “Transient” profile with increased flare and reduced saturation, further exaggerating contrast roll-off to the edge of the frame and providing increased edge halation. This is due to vintage-style, single-coated optics and edge coating. “T” lenses have a unique personality and are designed to render a slightly softer, more artistic image, with a higher degree of light reactivity and more vibrant flaring characteristic.
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Our new Canon “Dream” set is available for rent (full-frame). These are Canon LTM rangefinders rehoused in Type SK housings. They deliver a completely different look than k35’s or FD’s. These high-speed lenses stand out with their unique, expressive, beautiful Bokeh making backgrounds look like Monet oil paintings. They are sharp wide open with smooth focus fall off, golden flares, very close focus, low chromatic aberration & pleasing smooth skin tones. There is a consistent look across all lenses in the set.
Notable focal lengths in this seven lens set include a 50mm f0.95 “Dream Lens”, which is part of the Canon LTM rangefinder series, matching the rest of the set. Also noteworthy is the incredible and rare 35mm f1.5, 85mm f1.5, & custom 25mm f1.5. We also include a 50mm f1.4.
Lenses are beautifully rehoused in PL mount.
T1.5
25mm – 35mm – 50mm – 60mm – 85mm -100mm
+ 50mm f0.95 ‘DREAM LENS’
Also available is a Matching REHOUSED Canon 20mm 1.9 Rangefinder and Canon 14mm
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Canon’s answer to the Zeiss Super Speeds, these cinema lenses won an Academy Award in 1977 and were used most notably on the film Aliens (1986). Fast and small, the glass elements exhibit less sharpness and contrast than most modern lenses, but more contrast and sharpness than the Kowa Cine Prominars. Our partners at True Lens Services (TLS) rehoused these elements for mechanical precision without sacrificing the optical quality or look.
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The Phantom FLEX 2.5K (32GB) is a real powerhouse that boasts a 2.5K global shutter sensor capable of shooting at 1650 FPS at 2.5K, 2500 FPS at 2K, 2570 FPS at 1080 and 5300 FPS at HD! With 12-bit RAW and with a native ISO of 1600. The Phantom FLEX 2.5K comes equipped with an OLPF for optimal image quality, this filter blocks high frequency image information and reduces the effects of moiré and false color caused by high frequency waves in imagery.
Another unique feature to the FLEX 2.5K is the ‘Phantom HQ Mode’. Phantom HQ Mode uses a proprietary multi-sampling image enhancement technology. This results in an increase in electronic image stability that is unprecedented in digital high-speed cameras, also more stable blacks, lower noise and higher dynamic range. Maximum frame rates in HQ mode are approximately half of those in Standard mode (HQ 725 FPS at 2.5K, HQ 1275 FPS at 2K, HQ 2660 at HD, so still more than enough FPS!).
RED has taken fresh steps with the release of the KOMODO 6K Digital Cinema Camera by bringing their legendary image quality and color science into an ultracompact, all-in-one design that weighs just 2.1 lb and measures about 4 x 4 x 4″. Key to achieving this goal was the use of the Canon RF lens mount and the KOMODO 19.9MP Super35 CMOS sensor which boasts Global Shutter technology. This sensor can create images with 16+ stops dynamic range and eliminates rolling shutter artifacts. Users can also be certain they are getting RED quality thanks to the ability to record up to 6K at 40 fps, 5K at 48 fps, 4K at 60 fps, and 2K at 120 fps in REDCODE RAW for incredible flexibility in post-production.
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V-RAPTOR™ 8K VV is the most powerful and advanced RED® cinema camera ever. As the brand’s new flagship system and sensor, as well as the first entrant into the new DSMC3™ generation of cameras, V-RAPTOR stands alone at the forefront of digital image capture technology.
Combining the 4.5K large format sensor of the Alexa LF with the lightweight and versatile form factor of the Alexa Mini, the Mini LF is ARRI’s newest foray into the exciting field of large format film making. Aside from a new media bay located on the left side of the camera, the Mini LF has the same dimensions and mounting options as the Mini crews have worked without countless times. That new media bay is put to good use with the all new Codex Compact 1TB Drive, designed specifically for the Mini LF. The Codex Compact Drive allows for recording in both ProRes and ARRIRAW with no need for formatting or card switching at write speeds up to 8Gb/s. The Mini LF also features a brand new OLED MVF-2 viewfinder. The MVF-2 has a better and brighter display, larger 4” flip-out display, and an improved single pin cable for ease of use. Finally, just like the LF, the Mini LF features an LPL mount along with a PL adapter so that any cinema lens can be used.
35 format film-style digital camera with lightweight and compact carbon body, 4:3/16:9 switchable active sensor area, support for ARRI MVF-1 viewfinder, built-in remote control capabilities via Electronic Control System and Wi-Fi, support for cforce motors, built-in motorized ND filters, interchangeable lens mounts and ARRI Lens Data System.
Combining the 4.5K large format sensor of the Alexa LF with the lightweight and versatile form factor of the Alexa Mini, the Mini LF is ARRI’s newest foray into the exciting field of large format film making. Aside from a new media bay located on the left side of the camera, the Mini LF has the same dimensions and mounting options as the Mini crews have worked without countless times. That new media bay is put to good use with the all new Codex Compact 1TB Drive, designed specifically for the Mini LF. The Codex Compact Drive allows for recording in both ProRes and ARRIRAW with no need for formatting or card switching at write speeds up to 8Gb/s. The Mini LF also features a brand new OLED MVF-2 viewfinder. The MVF-2 has a better and brighter display, larger 4” flip-out display, and an improved single pin cable for ease of use. Finally, just like the LF, the Mini LF features an LPL mount along with a PL adapter so that any cinema lens can be used.
The Phantom Flex4K delivers low noise, high resolution 4K imaging at super 35mm format. The full- size images are delivered via 9.4 Gpx throughput in the Cine Raw file format. With up to 1,000 fps in 4K the images are compatible with major color grading and video editing applications and support standard sync-sound frame rates.
Lens mount options increase the operator flexibility and are interchangeable between PL, Canon EF (with electronic control), and Nikon F. The ability to change mounts encourages shot variety and decreases workflow difficulty between shots.
The Flex4K features a complete on-camera control interface view a menu system. 100% un-tethered operation is possible through battery mounts and remote-control options.